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Mixology (16)

Ring: If only I had more than ten fingers, I could continually and infinitely stack rings to my hearts content! Baubles on top of baubles! This adjustable ring features a druzy-like stone in organic shapes – the asymmetrical center stone is perfect for stacking! Put together the pastels for spring-time perfection, or add in the elegant metallic black version for a dose of nighttime sparkle. To purchase visit Bauble Bar, here/ Room: Can we talk about the interplay of the metallic silvers, golds, and soft pinks? Gentle, european yet industrial! Also, who doesn’t want crusty bread? Image found via Norwegian blog Designhund.

Ring: Have the flora and fauna of the wild been calling to you? Do you want to represent the animal kingdom in your everyday wear? This striking 14k Gold Plated House Of Harlow Antler Long Ring features a Cabochon Blue stone framed by an Antler inspired design. The ring has the glamour of the 1970’s with the excitement of an African safari! To purchase go here! / Room: The people at Horchow strike again with this Faux-Antler Chandelier, wool rug, and jewel toned teal sofa! The light streaming in also perfectly reflects off of the mirrored side tables (also don’t you just love how two small tables pushed side-by-side become one long coffee table?) Image found here.

Ring: Made in Italy by the famed Alexander McQueen design house this Swarovski crystal accented wrap design embellished with two skulls is both opulent, exuburent and yet macabre! To purchase, go here. / Room: Perhaps this skull wallpaper will be so wicked that it will war off your nightmares? The mix of luxury metals and dark wallpaper makes a lavish bedroom! The magnificent Skulls design reflects Barbara Hulanicki’s mischievous side. She says, “I love the almost shock element that you don’t instantly see the skull design unless you really look at the paper. She jokes, “This wallpaper would be particularly good in the guest loo!” To order a sample or to purchase, go here.


The Factory

From 1962 to 1968, Andy Warhol’s original New York City studio was known as The Factory (although his later studios were known as The Factory as well).  The rent was reported to be about $100 a year at the time.  The space was loft-like and in a bit of disarray, it was originally a hat factory. The original studio was often referred to by those who frequented it as the Silver Factory. It was covered with tin foil and silver paint, decorated by Warhol’s friend Billy Name, who was also the in-house photographer at the Factory. The original space was located on the fifth floor of 231 East 47th Street – across the street from the YMCA and below an antiques place called Connoisseur’s Corner (Gerard Malanga, Archiving Warhol: Writings and Photographs (NY: Creation Books, 2002).

Bond New York, Silver Factory Perfume (Here). The Andy Warhol Monument near Union Square, NYC (Here). Andy Warhol’s Silver Clouds, 1964 (Here). Colorized photo of Warhol in The Silver Factory (Here). The entourage at a party in the original factory (Here).

Edie Sedgwick and Andy Warhol at The Factory (Here).

“Billy Name furnished the Factory with trash he found on the street, including “the huge curved couch that would be photographed so much in the next few years – the hairy red one that we used in so many of our movies – Billy found right out in front of the “Y”. He was also responsible for covering the crumbling walls and pipes in silver foil, spraying everything with silver paint, ‘right down to the toilet bowl.” (Andy Warhol and Pat Hackett, Popism: The Warhol Sixties (NY: Harcourt Brace, 1980)

Mostra Sesc de Artes, Sao Paulo, Brazil.  © The Andy Warhol Museum, Pittsburgh, PA, a museum of Carnegie Institute (Here).

Edie Sedgwick answering phones at The Factory, Stephen Shore (?).

Billy Name “gave the impression of being generally creative – he dabbled in lights and papers and artists’ materials. In the beginning he just fussed around like the other A-heads, doing all the busy stuff, fooling with mirrors and feathers and beads, taking hours to paint some little thing like the door to a cabinet… and sometimes he was so high he wouldn’t even realize that he’d just painted it.” -Andy Warhol

One of Andy Warhol’s first checks, signed originally as his Polish name – Andrew Warhola and sometimes as André Warhola. During the sixties, through the various iterations of The Factory, such visionaries as Truman Capote, Mick Jagger, Jim Morrison, David Bowie, Bob Dylan, Paul Morrissey, Lou Reed, Betsey Johnson, and William Burroughs were known to frequent the space. Warhol would often bring in silver balloons to drift around the ceiling. Warhol first saw the decorating style at Billy Name’s apartment and asked him to replicate the space age colors and metallics in his new loft space. To Warhol, the silver represented the decadence as well as the frivolous “glamour” of the early sixties. In fact, it was sort of a joke – to have a room covered in crumbling pants, glazed over with a shellac, and pretending to be something it was not.  The studio was filled with fractured mirrors, spray paints, and tin foil. Warhol preferred to block the natural light in the studio as well, giving the space a strange reflective lighting.

Every cloud has a silver lining, and so can your interior designing, after the jump:

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