Before there was Damien Hirst or Jeff Koons and their brand of self-aware, “meta” art that serves as both commentary and appropriation, there was Louise Lawler. Born in 1947, the photographer’s work focuses on challenging prevailing art worlds, and systems of aesthetics. Under the assumption that taste and style is merely a byproduct of institutional spheres of influence, her work is cheeky – always presented with a wink. Along with other greats like Cindy Sherman and Barbara Krueger, these art stars came to be known as “The Pictures Generation” due to an eponymous exhibition at the Met.

Louise Lawler 87, 63, 93/2000, 1993-2000 Metro Pictures

Louise Lawler, 87, 63, 93/2000, (1993-2000), Cibachrome, Metro Pictures

Some of her best-known works include photographs of uniformed art handlers carefully transporting a Gerhard Richter painting (as if it were an holy relic, or a vestige of a lost culture) and a Damien Hirst spin-painting shown through a closet door.

Here is a modern take on a vaguely antiqued, yet very minimal room:

Louise Lawler Interior Design

  • Jonathan Adler Smart Phone DockCast in the shape of a rotary telephone, this porcelain docking station will keep a smartphone secure with a dash of old school style.
  • Ore International Off White Ceramic Table Lamp: A simple, contoured design adds a decorative element to any room. Topped with cream-colored nylon shade.
  • A Modern Digital Illustration by ColourscapeStudio:  “I’ve nicknamed this piece the Yarn Ball… it came to me as I was unpacking my craft box after moving house. I’d never really noticed the lines before other than a rolled up ball! Perfect for a minimalist home in neutrals, or your craft room in bright and cheerful colors, this print will certainly get some attention.”
  • The MIAC Whirlwind Jute Rug in Natural/Iron: Made as part of an exclusive collection of handwoven rugs with Santa Fe’s Museum of Indian Arts & Culture (MIAC). Hand braided from handspun jute by artisans in India, the printed pattern is inspired by design elements from an early 20th century Native basket.
  • Brick White Quilts and Shams by Villa Home: Welcome to the world of incomparable comfort, beauty and style. Enter an oasis of serenity: your bed, made with sumptuous Villa bedding designed to create a splendid haven, a place to escape the demands of everyday life.
  • “Dream” Sparkler art print by Lucy Hodkiewicz: Everyone’s favorite summer activity, drawing with sparklers, expertly captured in an instant. 
  • Safavieh Bali Brown Nesting Tables: A transitional design and an easy-to-match brown finish. The table can be un-stacked to add extra table space when entertaining. Made in Indonesia; a piece of paradise in your home.

 As seen on many feminist artist’s prints and advertisements, and quoted by Louise Lawler, “Whenever I hear the word culture I take out my checkbook.”

To learn more about this artist, visit Artsy. 

Article
1 comment

An Artist’s Dwelling (13) – Seymour Joseph Guy

My husband and I recently purchased a home in Brooklyn that was built in 1860. It is technically a “pre-pre-war” building, meaning it’s lived through the Civil War, and all of the World Wars. The Brooklyn Historical Society keeps amazing records on the evolution of city blocks, parks, and skylines.

Perusing the digital collection, I was able to see what part of our new neighborhood looked like at almost every decade – the outdoor marketplaces, the children in backyards, the evolution of the subway system. This virtual timewarp essentially showed me that although my new home is almost 154 years old, its bones, original architecture, and facade have not changed so much. There is something fascinating about the fact that in 154 years, New York City and its boroughs can change so swiftly and yet, in many ways remain stagnant.

Seymour Joseph Guy - The Contest for the Bouquet - The Family of Robert Gordon in Their New York Dining Room 1866Seymour Joseph Guy – The Contest for the Bouquet – The Family of Robert Gordon in Their New York Dining Room 1866

The trim in our home is so similar to Guy’s that it is uncanny. We’ve also recently become obsessed with Victorian gilded frames, and the keeping of cloches and terrariums. Everything old is new again! Look at those nail-heads on the mahogany chairs – are those not on trend for 2014? Even the chandelier with its cantilevers and pulleys can be found in stores ranging from Pottery Barn to Arhaus. The retro-futuristic Victorian fixtures are replete with decorative harnesses and pulleys echoing maritime mechanics It seems simple machines will always remain a basic of human existence.

Guy, who was born and trained in England, settled in 1854 in New York. Typical of the time period, this highly-detailed “conversation piece” (a portrait with narrative elements) was commissioned by Robert Gordon in 1866. Three of the Gordon children have finished breakfast and appear to vie for a small corsage before setting off for school. Gordon, a founding trustee of The Metropolitan Museum of Art, collected American paintings, some of which he displayed in the dining room of his home at 7 West 33rd Street, depicted here. The room was decorated in the up-to-date Renaissance Revival style.

Victorian Revival from The Walkup

“I was never going to get any sleep. I was going to have Alice in Wonderland conversation after Alice in Wonderland conversation until I died of exhaustion. Here, in the restful, idyllic Victorian era.” ― Connie Willis, To Say Nothing of the Dog

Article
0 comment

Modern Meets Traditional

In an article on Houzz, Kerrie Kelly, an interior designer who specializes in authentic and livable spaces, said that if you find modern ‘too sleek’ and ‘traditional too stodgy’ when it comes to sprucing up your home, you may be able to define your style in one simple word: transitional. 

Dusty Deco ChesterfieldEclectic living room in Sweden from Dusty Deco, photographed by Martin Lof

But what IS transitional style, exactly?  Basically, it fulfills your desire to have little bit of this, with a little bit of that in their living room. ‘Column A’ meets ‘Column B.’ When my husband and I first moved in together three years ago, we had a melding of the worlds: his antique dresser, my mahogany side table, his modern slanted bookshelf, my 1950’s diner stools. To be frank, our personalities meshed well, but our interiors did not.

HAREWOOD CHESTERFIELD SOFAThe Buckingham Chesterfield Sofa in antiqued leather finish from Distinctive Chesterfields 

Luckily, people tend to not hold fast to the old rules regarding what ‘works.’ Before, an old couch may have looked out of place in a modern home, and a contemporary piece of art, for example, may have stood out (in a bad way) in house full of traditional pieces. But not anymore! We live in a glorious time.

Houston Loft Photo by Peter MolickAn industrial Houston Loft, photographed by Peter Molick for Build Content

We can revel in picking out a piece that take influence from bygone eras to complement an otherwise strikingly modern room. Pieces like tables made out of wire, and bold rugs, and smaller accessories are used in spaces featuring furniture you’d be likely to spot in the gentlemen’s clubs of yesteryear (cigars, snifters, and all).

photos by helena blom for lantliv.Scandinavian home photos by Helena Hlom for Lantliv

Featuring a mix of finishes, materials, furniture and fabrics, transitional style knows no bounds. The result? Transitional! Mismatched works.[Read more]