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Mixology (31)

Tom Mora, the designer behind J.Crew’s womenswear for the Winter 2014-2015 collection, was inspired by Berlin’s Weimar Republic of the 1920 and 1930’s. Think cabarets, coffee shops, Dada-ism, red lips, drop waists, trousers, short hair and Bauhaus-styles. This period is frequently cited as one of those with the highest level of intellectual production in human history; hello Einstein.

MIXOLOGY31_JCrew_Winter and Fall 2014

This Outfit:  J. Crew Women’s Fall-Winter 2014-2015 is slightly masculine and geometric, yet keeps it girly with tinges of burgundy, blue, navy, camel and pale pink.  // That Room:   A patterned bedroom from Better Homes & Gardens is not afraid to mix things stripes with wide strips, floral with geometry, and wicker with fabric. The patterns all mesh because they follow a specific color scheme. A lesson for interiors and clothing!

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Continuing my J.Crew obsession, let’s rewind to Spring 2014’s Ready-to-Wear collection that included unfussy uniforms inspired by a laid-back surfer culture.  The palette is overtly minimal: black, white, and a punch of orange. The orange brings the summer, the sun, and the light. The fabrics are cut structurally and yet remain casual and crisp. The designer explained that the theme of summer on the Venice Lido, circa the turn of the twentieth century informed much of his thinking. “Back then, going to the beach meant dressing up,” he pointed out. “It was very polished.”

J.Crew Spring 2013 Ready to Wear

This Outfit:  Look 20 from the Spring 2014 collection reminds me of what a business woman would wear to a meeting on the Italian Riviera during the height of a heatwave. The chandelier, jeweled earrings bring sophistication. But, overall the shape remains boxy with geometry pervading the shirt, the shoes, and even lining of the shorts.  // That Room:  A daring black and white striped rug centers an otherwise stark and achromatic room. The bold pillows, side stool, and wall hanging bring life the room by adding electric orange. Photograph from Bo Bedre (Live Better), a Danish magazine, that creates dreams for the Scandinavian lifestyle.

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Continuing our time travels, the J. Crew Fall 2013 collection paid homage to opulent Morocco. The rich embellishments, heavy fabrics and deep hues conveyed a sense of North African royalty. The colors – burgundies and palatinates – played nice with the arabesques.  All looks were topped off with jewel details, glittery brocade and jacquard. Luxurious yet, sporty.
JCrew Fall 2013 Ready to Wear and Moroccan Interior Design
 
This Outfit: Look 14 from Fall 2013 combines the texture of a Kilim rug with a jacket. The moorish trellis (quatrefoil) pattern pervades the oxblood, silk shirt. The look remains athletic with tracksuit piping. The model’s vintage-inspired sunglasses are the colors of Moroccan sands.  //  That Room: A fashion designer’s oasis blends tribal artifacts with exuberant color. Liza Bruce and artist Nicholas Alvis Vega’s home near Marrakech features a 1940’s Yoruba armchair,  a carved-wood chair from Ethiopia, jewel tones, and a variety of West African accessories. The guest room, as photographed by Simin Upton for Elle Decor, features a Tuareg bed with pillows covered in silk from Uzbekistan.

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Keren Veisblatt Toledano is a Senior Strategist at Brooklyn United, a digital agency for bold brands. In her spare time, Keren can usually be found taking photos of old doors, visiting museum, soaking in Epsom salts, admiring copper pots, reading dystopian science fiction or sneaking a slice of lemon into her drinks. Her motto is, “A morning without coffee is sleep.” She lives in a brownstone with her cat, Cagney, husband, Michael, and son, Josiah, in Carroll Gardens, Brooklyn, NY.

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