Becky Suss, a contemporary figurative painter, was born in Philadelphia in 1980 where she currently lives and works. She holds a BA from Williams College and an MFA from the University of California, Berkeley. She is a member of Vox Populi, and a former member of Space 1026, she is currently represented by Fleisher Ollman gallery. She often explores the ennui of vacant spaces and the energy of empty interiors. Her canvases hint at folk patterns and modern architecture.
Untitled (interior), 2013, Oil on linen by Becky Suss
Becky Suss, Reading Room, 2012, Oil on Canvas by Becky Suss
In the series above, Suss plays with stark geometric angles, sculptural vases ala Morandi, the natural patterns of house plants, and midcentury modernism. The bric-a-brac captures the edited eccentricity of homes.
allen + roth Rectangular Cream Woven Area Rug
Lotta Jansdotter Redig Serving Bowl
Sophie Conran For Portmeirion Medium Salad Bowl
Vintage Chinese Famille Rose Mille-Fleur Vase
Jonathan Adler Futura Greek Boarders Vase
Jonathan Adler Futura Circles Vase
Mother in Law Tongue in Stray Dog Aqua
60″ Benjamin Ficus Standard
24″ Reggie Assortment
Scalamandre: Haute Decor
Vanity Fair 100 Years
Unison Sculpture Today Book
Places To Go, People To See Coffee Table Book
Teal Ribbed Ceramic Pitcher Vase
Rose Ribbed Two-Handle Ceramic Vase
H&M Ceramic Vase
Mid-Century Danish Modern Poul Jensen Selig Lounge Chair
The snow is thawing, the ice has melted, I am receiving my daily allotment of Vitamin D, and spring seems to be creeping around the corner. Even little bulbs find themselves poking through the soil and tulips are back in our local bodega. We’ve officially entered the season of pastel hues and lawn picnics.
– The Sia cropped T-shirt in slub-cotton by Elizabeth and James is the perfect peach.
– Crafted from crisp cotton sateen, this classic pencil skirt sports a lush and lemony floral print that’s arguably a wearable work of art. It’s from Italy’s Luigi Verga, founded in 1940 and famous for its digital and hand-painted motifs.
– A simple, elegant leather sandal with a single wide strap at the front and leather heel cup at the back. Go ahead and frolic.
– Functional, versatile, yet playful, the Sally is a key bag for Spring ’15.
– A delicate gold bracelet featuring a spring green enamel diamond-shaped clasp. Go green.
– Betsey Johnson’s Spring Fling purple flower rhinestone stud earrings belong in your costume jewelry collection.
– Guard against the unpredictable seasonal weather with Burberry Prorsum’s umbrella.
– This elegant pillow adds a luxurious style accent to the home. It’s hand loomed from a blend of beautifully soft llama, merino wool, pure merino sheep fur detailing.
– As inspiration Stelton watched the changing colors of Danish nature. The highly insulated glass insert in these jugs will keep your beverages hot (or cold) whilst looking great. Perfect for your morning coffee, afternoon tea or spring-time lemonade.
– Go ahead and celebrate the weather. The unique design of GoVino’s set of four champagne flutes makes it easy to enjoy all your favorite bubbly on-the-go.
– Sharon Montrose has a way with animals. This little flamingo is better and brighter than your favorite plastic lawn ornament.
– Even if you don’t possess a green thumb, you can still bring the tranquility of nature into your home with artist Melissa Moore’s illuminated ecosystem. A minimal, contemporary bell jar frames and protects the fragile mosses and spindly greens inside.
Bryn Craig was born in 1931 in Lansdale, PA. He studied at the Philadelphia Museum College of Art and with the Art Students League of New York, and taught at the Philadelphia Museum College of Art. At 83, Craig is represented by three galleries, and continues to create.
The artist’s work explores the relationship between people and interiors. Many of his canvases are filled with a subtle moodiness and subdued emptiness. He distorts rooms, elongates perspectives, or skews proportion of items in order to convey the real essence of a place.
Bryn Craig, The Star Quilt, oil on canvas, 2014, Gallery Bergelli
Craig writes, “Although my work is representational, I am definitely not a photo realist. I try to include much more than just the surface of a place. I want to express my emotions about the subject and to stimulate emotions in the viewer.” To me, Craig’s painting above conveys the strangeness one feels when they are staying at a friend’s house on vacation – the uncanny sensation that a room is yours, but also is not home. Those silent moments of being alone in a shared vacation home, perhaps on the Cape, can be calming but also disorienting.
Craig’s process involves photographing one location at various times of day, and from many angles. Although he uses the snaps to direct some of his painting, he is not concerned if a lighting fixture is out of place, or a building changes colors. In this way, his works become a sort of fantasy invention.
Drawing from his travels as well as from his commonplace interiors, Craig’s paintings are imbued with color, feeling and texture.