An Artist’s Dwelling (6)

Roxa Smith was born and raised in Caracas, Venezuela (yummy Arepas). She came to the US in her teens and attended Bowdoin College in Brunswick, Maine, earning a degree in Art History and German in 1984 with a minor in Visual Arts. In 1987, she received a Graduate Certificate in the Fine Arts from the University of California, Santa Cruz. She now lives in and works in New York City and is represented by George Billis Gallery NY and George Billis Gallery LA.. Roxa has exhibited nationally and internationally.  Her painting focus on mostly empty interiors, wherein the remnants of a family or place remain regardless of human portraits. She is currently an English as a Second Language (ESL) Instructor at Baruch College- Continuing and Professional Studies (CAPS). Her interests include cooking, biking, traveling, education, and India. To buy some of her works and prints directly online, go HERE.

Roxa Smith, Green Couch, 36‚ÄĚx45‚ÄĚ oil on canvas, 2009

Roxa Smith, Continuity, 2011, oil on canvas, 30 x 40 inches

Smith explains her series, Interiors, “The spaces we inhabit or visit each take on an individual character and sensibility in our minds, a memory of the time we passed there, of the company we shared. These voyeuristic paintings depict actual places, recalling their essence without seeking to faithfully recreate them. The intimate scale in this ongoing series of gouache on wood portraits, often only 5 by 7 inches, invites the viewer to enter the room, to experience the narrative quality within the quiet space, devoid of people, yet evocative and teeming with life.” Her use of light, color, shadow, and angle is extremely unique. Her images are intimate and a little lonely. Don’t you just want to dive in to the realistic depth of the painting and take up residence on her canvases?

Roxa Smith, Pillow Heaven, 30″x40″ oil on canvas, 2010

Roxa Smith, The Piano Room, 2010, oil on canvas, 30 x 40 inches

Roxa Smith, La Cocina Azul, 2009, oil on canvas 45 x 36 inches

“In these interiors and exteriors, I strive to capture and then distill fleeting moments in time and seek to illuminate the ‚Äúspirit‚ÄĚ of¬†a space. The images are often devoid of people yet evocative and teeming with life, intended not to purely document a place but rather to portray its essence. I¬†concentrate on the architectural details, source of light, and complex patterns within a composition. The isolation and juxtaposition of these elements creates a picture that is anything but a straightforward view…”, continues Smith in her motivation for another series, Interiors and Landscapes. I love the fact that her images often feature a room within a room. The art on a wall captures and directly reflects a captured moment in space, a moment that is ephemeral. This concept of magic realism reminds me of ¬†another native South American – Argentinian,¬†Jorge Luis¬†Borges, who writes, “You have wakened not out of sleep, but into a prior dream, and that dream lies within another, and so on, to infinity, which is the number of grains of sand.‚ÄĚ What is life but an image within an image, a dream within a dream? Borges believed that reality is not always based on probability, and so Smith’s paintings remind me of the weird and fanciful aspects of interiors. Sorry for the esoteric mind bend but, it just goes to show you how deeply Smith’s paintings make me think and feel.

The above paintings are equal parts traditional, eclectic, and culturally inspired. Rooms that remind me of Roxa Smith’s oeuvre, and her use of pattern, juxtaposition, and unexpected color:

Room designed by Vintage Renewal from Idledale, Co., image found HERE.

Back Bay Apartment, Boston by Nirmada Interior Design, image found HERE.
This eclectic, print-filled room from Better Homes & Gardens, HERE. 
Neon pink fridge, Latin American flair, Mosaics, and that yellow wall!  Image via Big Chill, HERE.
The two-room 40 Winks hotel in Stepney Green, London, UK. Images found HERE.
This patterned filled workspace courtesy of Absolutely Beautiful Things, HERE.
Image found via Anthropologie, HERE.
Image of Hotel Thoumieux in Paris, France found HERE.
Shop by the Numbers: 1 / 2 / 3 / 4 / 5 / 6 / 7 / 8 / 9 
I understand that not everyone can live in such a BRIGHT and multifarious room so, like in Smith’s paintings, it is enough to just contemplate the type of people that fill a space. My mind has been attacked and invaded by color and pattern lately; I promise I will calm down the rooms in the next few posts!
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An Artist’s Dwelling (5)

I recently visited a show at the Andrew Krep Gallery, in Chelsea, titled, “‚ÄėInteriors‚Äô: Pierre Bonnard, Marc Camille Chaimowicz, William Copley, √Čdouard Vuillard” ¬†The show juxtaposed several styles and decades of art history by exploring the evolution of personal space, decorative wallpaper, and intimacy. The press release from the gallery explains, “The show highlights the rich optical and visual layers and patterning consistent in each of the artists‚Äô work, depicting interior spaces full of feeling, psychological depth and a sense of remembrance ‚Äď a domestic hedonism, or meditations on the nature of time, perception and memory. ” The exhibition included some surrealist details, some impressionist strokes, and a lot of rooms. Often everyday objects in our home accumulate into accidental still lifes – these interior spaces show a psychological snapshot of both an artist and his/her life. Above all, the show allows the viewer to realize it is OK to mix centuries – the 19th century can converse with the year 2012 easily. French windows and ikea furniture can match.

Interiors,¬†Pierre Bonnard Marc Camille Chaimowicz, William Copley, √Čdouard Vuillard,¬†Installation View, Image¬†Courtesy¬†Andrew Kreps Gallery

Pierre Bonnard, The Breakfast Room, 1925, Oil on canvas, 25 3/4 x 42 1/2 in (65.4 x 108 cm) & (wallpaper), Marc Camille Chaimowicz, 2011, Non-woven paper, Image Courtesy Andrew Kreps Gallery

Interiors,¬†Pierre Bonnard Marc Camille Chaimowicz, William Copley, √Čdouard Vuillard,¬†Installation View,¬†Image¬†Courtesy¬†Andrew Kreps Gallery

In my humble opinion, no artist understand the importance of monotonous interior life quite like¬†Jean-√Čdouard Vuillard (perhaps also Giorgio Morandi, but we can save his obsessive bottle painting for another post). Vuillard¬†(November 11, 1868¬†‚Äď June 21, 1940) was a French¬†painter¬†and¬†printmaker¬†associated with the artist collective called The Nabis. This avant-garde group was named for the Hebrew word for “prophet”. They believed they could revitalize modern art much like the prophets inspired people from the biblical days. The group did not just work with canvas, they often extolled and designed¬†wall decoration, and also produced posters, prints, book illustration, textiles, and furniture.

√Čdouard Vuillard,¬†Interieur, 1902, Oil on Cardboard,¬†Dallas Museum of Art, gift of the Meadows Foundation Incorporated

√Čdouard Vuillard,¬†Interieur a la Table √† Ouvrage, 1893

In his paintings Vuillard depicted mostly interiors, intricate patterns, streets, and gardens. ¬†The patterns of a tablecloth, of a woman’s dress, and of wall coverings intermingled to create a beautifully layered piece. He lived at home with his mother (a dressmaker and Parisian corset maker) and had siblings who visited – most notably his sister. Often my inspiration comes from the outside – wandering streets, stopping into boutiques, and traveling. Yet, Vuillard did not need to leave his home to understand the aesthetics of beauty and to find his animus.

Vuillard was best known for intimate, indoor looks at the private lives of his subjects. These domestic scenes feel “very claustrophobic,” explains the curator of The National Gallery of Art in Washington, D.C., Kimberly Jones. She continues. “You can almost feel the walls closing in in some cases and that’s very much intentional. This is the world behind closed doors, an intimate private world that we live but we don’t get to see. So we become a voyeur.”

√Čdouard Vuillard.¬†Mother and Sister of the Artist. c. 1893. Oil on canvas. 18 1/4 x 22 1/4″ (46.3 x 56.5 cm). Gift of Mrs. Saidie A. May. ¬© 2005 Artists Rights Society (ARS), New York/ADAGP, Paris. (Can’t you just smell the mothballs?)

Vuillard’s interiors are often described as richly patterned, dizzying, and highly feminine. We are surrounded by bold fabrics, blurred walls, and quiet Sunday scenes. Vuillard, the artist himself one remarked,¬†“I don’t paint portraits,” he said. “I paint people at home.” His heavily decorated rooms define a person, his stokes create a soothing rhythm for the eye (even though sometimes they are depicting SHARP geometric designs), and his understanding of fashion (both interior and physical) as a psychological delinieation, ¬†is why I believe his interiors are so powerful.

Vuillard’s Room at the Ch√Ęteau des Clayes,¬†c. 1932,¬†Distemper on paper, mounted on canvas,¬†30 5/8 x 39 7/16 in. (77.8 x 100.2 cm),¬†Signed, l.r.: “E. Vuillard”,¬†Gift of Mary and Leigh Block, 1973.337,¬†¬© Artists Rights Society (ARS), New York / ADAGP, Paris

Edouard Vuillard (French, 1868-1940), printed by Auguste Clot (French, 1858-1936), published by Ambroise Vollard (French, 1867-1939), Interior with Pink Wallpaper I, plate five from Landscapes and Interiors, 1899, © Artists Rights Society (ARS), New York / ADAGP, Paris

After reading this blog post you have now become familiar with “Intimism”! Bravo! Yippee! This is a¬†variety of late 19th- and early 20th-century¬†painting which intensely explores domestic interiors as subject matter.

 Clashing patterns = matching patterns.  A richly patterned and layered room ala Vuillard. Found via Better Homes & Gardens, HERE.

Un Bisou Collection Wallpaper. Feminine and delicate. Here, actually used as a neutral “paint” color. Don’t be afraid of pattern and layering! Image found HERE.

Eijffinger wallaper – perfect for your afternoon tea service! Hello pastel table. Image found HERE.

Grand Gala Wallpaper. Although this room is not nearly cluttered enough to be a Vuillard. Image found HERE.

Living with patterns is as easy as finding one common color in all of your fabrics. Here it is a light, almost Robin’s Egg Blue with accented grey tones. Image found HERE.

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American Pi(Day)

First of all, happy Pi day. Pi day occurs on March 14th (3.14) and celebrates both math and dessert. Seriously, we need more holidays like this. I had a friend in high school who was able to recite Pi up to its 100th decimal point. It was actually, weirdly, relaxing to hear (almost hypnotic).

Secondly, AND I AM PUSHING SEGUES HERE, lets talk about American Pie. To me this song, and this ideal, represents a bric-a-brac of American culture. The song encompasses one man’s love of music in America that spans Bob Dylan (Minnesota), Buddy Holly (Texas), Janis Joplin (Texas and California) , Elvis Presley (Mississippi and Tennessee), and Carly Simon (New York). The song also mentions the changing American landscape during the death of the Kennedy’s. To me, this song commemorates America in a way that is not kitschy and uber-patriotic – it is totally genuine.

Based in Chicago, Illinois, the LGBT-owned furniture company 900Blok also celebrates the topography of America.¬†I love the idea of designing in a patriotic way that isn’t the literal “Stars and Stripes”, ¬†“American Flag Colors”,”Western”, schlocky and humdrum decor. 900Blok’s first collection called “50 States” aims to bring the shapes of midcentury design to the shapes of The United States. The shapes of the states are familiar, we have always seen them on maps on our elementary school walls, we see the shapes of the states on the news, the cutout is ubiquitous. Yet, we have not seen the shapes as tables. This design allows me to think of each area as an aesthetically pleasing form – rather than a political entity.¬†I currently live in New York – but what an amazing way to remember where I grew up and commemorate their importance – Pennsylvania and New Jersey.

California Here We Come. Look at those solid oak legs and that lacquered tabletop finish! Image courtesy of 900Blok, HERE.

These nesting tables allow states to touch that otherwise wouldn’t. Ever wanted Ohio to touch Nevada (not the states seen above)? DONE.¬†Image courtesy of 900Blok,¬†HERE.

Chicago! Also can we talk about the Wayne Thiebaud coffee table book? This is probably a necessity in every home, in fact I might need to write a post merely about his cake icing and frosty pastel colors. Image courtesy of 900Blok, HERE.

‘Oh, the farmer and the cowman should be friends’, Ron Arad 2009,¬†Corten and mirror-polished stainless steel ,¬†5.5m wide, 3.5 m high, 40cm deep ,¬†Courtesy Ron Arad Associates and Timothy Taylor Gallery, London,¬†¬© Ron Arad, 2009

The United States of Logos. Look at each state’s different branding, calligraphy, and colors! Found HERE.

United Steaks of America. I think this would be a killer print in someone’s kitchen. Image¬†Courtesy of the artist,¬†Dominic Episcopo.

Both of the above images courtesy of dirtsastudio on Etsy! Grab yourself a chalkboard state! Chart your travels, mark your favorite spots, or just learn some geography with a chalkboard map of the United States.

q.a. DESIGN¬†has a circus-striped and colorful take on the U.S. I love the contrasting colors in the prints. The shop is filled with maps from various states, with a simple heart over the state capitol (or your favorite city of choice). A person’s home can features the states in which she has spent most of his/her lifetime.¬†

I could not help the pun of using Wisconsin as a Cheese Board. However, any state can be found in this design shop! A.Heirloom Design Shop, HERE.

Shop by the Numbers: 1 / 2 / 3 / 4 (no longer available but if you Google Map Decoupage, DIY stuff comes up) / 5 / 6 / 7 / 8 

What state are you?